![]() |
Home
| Databases
| WorldLII
| Search
| Feedback
Edited Legal Collections Data |
Book Title: Concepts of Music and Copyright
Editor(s): Rahmatian, Andreas
Publisher: Edward Elgar Publishing
ISBN (hard cover): 9781783478187
Section Title: Index
Number of pages: 18
Extract:
Index
absolute music 16 Aristotle 8, 72, 91, 98
abstraction, in compositional practice Armstrong, Louis 133, 152
15, 114 Arnold, Richard 108, 143, 150, 152,
academic canon, questioning 2 153, 170, 171, 185
Ackers, P 1912 arrangement
acoustics 81, 93 adaptation 256, 40
adaptation 256, 28, 40 case law 25
see also arrangement classical definition 42
Adler, Amy 58, 59, 61, 62, 63, 66, 67, determination 4042
71 `Mood Indigo' 135
Adorno, Theodor W. 11, 12, 74, 76, 79, protected by copyright 25, 26, 28, 37
80, 82, 84, 85, 90, 118 whether input of an arranger original
aesthetic time 79, 87 289
AFM (American Federation of art
Musicians) 178, 188 as a commodity, criticism 90
African music 81, 82 conventional arrangements 63
`Against Moral Rights' (Adler) 59 and Hobbes 14
agency, nature of 58 interference with work of artists
AHRC see Arts & Humanities Research 613, 64
Council (AHRC) Picasso on 51
AIRC (Association of Independent role of 15
Radio Contractors) 182, 183 Romantic theory of 856
aition 73 temporal and practical transcendence
Alcorn, Michael 37, 38, 39, 40, 41, 44, of 68
45 visual 59, 60
Amalgamated Musicians' Union works of see works of art
(AMU) 169, 172 artisanal thesis xii, 714
American Federation of Musicians see also auteur thesis; authorship
(AFM) 178, 188 ability, possession of 75
analytic philosophy 3, 4, 7, 989 auteur as restricted formulation of
Anderson, Ivie 131 artisanship 746
animism, extirpation of 11 author ...
AustLII:
Copyright Policy
|
Disclaimers
|
Privacy Policy
|
Feedback
URL: http://www.austlii.edu.au/au/journals/ELECD/2015/1276.html